Six Years Later – Joseph Brodsky

So long had life together been that now
the second of January fell again
on Tuesday, making her astonished brow
lift like a windshield wiper in the rain,
  so that her misty sadness cleared, and showed
  a cloudless distance waiting up the road.

So long had life together been that once
the snow began to fall, it seemed unending;
that, lest the flakes should make her eyelids wince,
I’d shield them with my hand, and they, pretending
  not to believe that cherishing of eyes,
  would beat against my palm like butterflies.

So alien had all novelty become
that sleep’s entanglements would put to shame
whatever depths the analysts might plumb;
that when my lips blew out the candle flame,
  her lips, fluttering from my shoulder, sought
  to join my own, without another thought.

So long had life together been that all
that tattered brood of papered roses went,
and a whole birch grove grew upon the wall,
and we had monkeys, by some accident,
  and tonguelike on the sea, for thirty days,
  the sunset threatened Turkey with its blaze.

So long had life together been without
books, chairs, utensils-only that ancient bed-
that the triangle, before it came about
had been a perpendicular, the head
  of some acquaintance hovering above
  two points which had been coalesced by love.

So long had life together been that she
and I, with our joint shadows, had composed
a double door, a door which, even if we
were lost in work or sleep, was always closed:
  somehow its halves were split and we went right
  through them into the future, into night.

 

 

Excerpted from Joseph Brodsky: Collected Poems in English

Strip – Lyrae Van Clief-Stefanon

A think brown-haired girl pouts
high on stage. She cannot swing
her slight body round the new pole.
It runs floor to ceiling, piercing
the strip club like a shaft of light
the way the voice of God appears in movies.
Except this pole is plastic and God
would gurgle because it’s full of liquid
like a lava-lamp. The words would have to sploosh
up through bubbles
like burbs, one at a time like Jesus.

Is. Love. except the pole’s sealed
and there is no place for love to go
so the bubbles just keep on going up
and down and the girl
can’t get her hands around it.
She says she misses the jungle-gym type bar
this bubble bar replaced.
She anticipates missing the smell
of its metals on her hands after work.

Training me, she instructs
your thighs. Don’t touch your knees.
Keep both feet flat on the floor at all times.
Don’t do anything I do. She smiles
at the way everything is against some law.
I go on stage and the speakers spit
out the first lines of the song I picked:
I love myself/I want you to love me.
I dance for a man. He’s fifty, at least,
his wife beside him. But you’re beautiful,
she says like a mother comforting a taunted child,
like someone else’s mother. Mine said,
There is nothing
you can’t talk your way out of.

The bar’s dark and dollars scratch my skin.
when the next song starts I take off my bra,
my breasts covered, by Florida law,
with flesh brown tape. I wrap my arms, both legs
around the wide, bright pole,
spin slowly down to the floor.
Who else will pay for what he can’t see?
Like God, I’ve always been invisible

Excerpted from Bum Rush the Page

The Sea is History – Derek Walcott

Where are your monuments, your battles, martyrs?
Where is your tribal memory? Sirs,
in that gray vault. The sea. The sea
has locked them up. The sea is History.

First, there was the heaving oil,
heavy as chaos;
then, likea light at the end of a tunnel,

the lantern of a caravel,
and that was Genesis.
Then there were the packed cries,
the shit, the moaning:

Exodus.
Bone soldered by coral to bone,
mosaics
mantled by the benediction of the shark’s shadow,

that was the Ark of the Covenant.
Then came from the plucked wires
of sunlight on the sea floor

the plangent harp of the Babylonian bondage,
as the white cowries clustered like manacles
on the drowned women,

and those were the ivory bracelets
of the Song of Solomon,
but the ocean kept turning blank pages

looking for History.
Then came the men with eyes heavy as anchors
who sank without tombs,

brigands who barbecued cattle,
leaving their charred ribs like palm leaves on the shore,
then the foaming, rabid maw

of the tidal wave swallowing Port Royal,
and that was Jonah,
but where is your Renaissance?

Sir, it is locked in them sea sands
out there past the reef’s moiling shelf,
where the men-o’-war floated down;

strop on these goggles, I’ll guide you there myself.
It’s all subtle and submarine,
through colonnades of coral,

past the gothic windows of sea fans
to where the crusty grouper, onyx-eyed,
blinks, weighted by its jewels, like a bald queen;

and these groined caves with barnacles
pitted like stone
are our cathedrals,

and the furnace before the hurricanes:
Gomorrah. Bones ground by windmills
into marl and cornmeal,

and that was Lamentations –
that was just Lamentations,
it was not History;

then came, like scum on the river’s drying lip,
the brown reeds of villages
mantling and congealing into towns,

and at evening, the midges’ choirs,
and above them, the spires
lancing the side of God

as His son set, and that was the New Testament.

Then came the white sisters clapping
to the waves’ progress,
and that was Emancipation –

jubilation, O jubilation –
vanishing swiftly
as the sea’s lace dries in the sun,

but that was not History,
that was only faith,
and then each rock broke into its own nation;

then came the synod of flies,
then came the secretarial heron,
then came the bullfrog bellowing for a vote,

fireflies with bright ideas
and bats like jetting ambassadors
and the mantis, like khaki police,

and the furred caterpillars of judges
examining each case closely,
and then in the dark ears of ferns

and in the salt chuckle of rocks
with their sea pools, there was the sound
like a rumour without any echo

of History, really beginning.

 

Source

A Necessary Song – Vicente Feliu

(To Che, not in memoriam)

Your skin linked to the bone was lost in the earth.
The tear, the poem and the memory
are carving on the fire the song of death
with golden machine-guns from wherever you are.
And here, each night your books are searched
for the just motive of all action
and your memory opens up to all who are born again
but there is always someone who raises you upon a shrine
and creates a legend of your formative image
and makes impossible the dream of reaching you
and learns some of your phrases by heart
to say “I shall be like him” without knowing you
and proclaims them without love, without the dream
without love, without faith
and your words lose a sense of respect
to the man who is born covered by your splendour.
Some poet said, and this will be fairest:
From this day our duty is to defend you from being god.

Callejas, 1968 (the line in italics is Vicente Huidobro’s, from the poem Elegy to Lenin)

excerpted from Che in Verse

Che in Verse contains 134 poems and songs from 53 countries dedicated to, about, or referring to this martyr of the utopian left. The contributors range from Che’s fellow revolutionaries and anti-colonial freedom-fighters to a gay rights activist, a Cistercian monk, and a Cuban prisoner of conscience languishing in a US federal penitentiary.

Africa Reading Challenge

Kinna Reads is hosting a year-long Africa Reading Challenge. The goal of the Challenge is to read

5 books.  That’s it.  There will be no other levels.  Of course, participants are encouraged to read more than 5 books.  Eligible books include those which are written by African writers, or take place in Africa, or are concerned with Africans and with historical and contemporary African issues. Note that at least 3 books must be written by African writers.

I will be participating in this Challenge. My initial list of 5 books (subject to change) is as follows:

Wives of the Leopard by Edna G. Gay

Why Are We So Blest? by Ayi Kwei Armah

Idu by Flora Nwapa

For Women and the Nation: Funmilayo Ransome-Kuti of Nigeria by Cheryl Johnson-Odom and Nina Emma Mba

Aké by Wole Soyinka

For more information about the challenge (including reading suggestions) visit Kinna Reads

Breast Examination ~ Wanda Coleman

1.
in the shower naked
he bends to suck
milk life
urge engulfs
we tumble into stream
barely able to separate
closed in by the enamel fist

2.
before the mirror
he comes up as i look at myself
cups them and squeezes
they jump up hard
nipples in dance-ritual
he’s to my back
enters
later i have a mirror
full of hand prints

3.
laying down his arm makes a
pillow for the right one
fingers grasp flesh
he lens forward
takes the left one into
his mouth
bites gently
wakes the eagle
i take flight

Excerpted from African Sleeping Sickness

Related Links:
Wanda Coleman – Wikipedia
Wanda Coleman – Poetry Foundation