Throwback Thursday (1)

Several years ago, I, along with fellow members of an online poetry group agreed to participate in a poetry challenge. I don’t remember the exact perimeters of this particular challenge. I remember it had something to do with music. I remember I chose the song below

and wrote the poem below that for the challenge.

Song: History of Africa by The Classics:

Poem: Blood Will Tell (My Mother’s Song)

While my older cousins were upstairs
doing the hustle and other disco dances
I was downstairs, ingesting
with all the delight my seven yr old self
could muster
the nice history of Africa.

Then my mother and I moved
and the song got packed away
lying dormant in the quiet storm of my blood
while I gravitated towards Michael Jackson
and the music flowing at neighborhood block parties.
i joined one nation getting down
just for
the funk of it
and learned how to dance under water
without getting wet
from swim instructors/block mothers.

but my blood knew it wasn’t a done deal
knew I would find my way back
to the nice history of Africa

and I did

some twenty years later
when I took one of my bi-annual trips
back East and raided
my mother’s closet for my history.

And there it was, my mother’s song
carried all the way from London
more than twenty years ago,
still in pristine condition.

I stowed it away, carefully
and when I arrived back in Cali
quietly deposited it between Prince albums
and 12 inch versions of Rapper’s Delight
and I Feel for You.

Never listening, only reading
the nice history of Africa
until my Jekyll and Hyde man
knew that, this time, I was serious
about leaving him
and stole my record player
in preemptive retribution.

I told myself that’s it
no more music for me
and donated all my records
to a community store;
too distraught to realize
I was also giving away
my mother’s song
the nice history of Africa

and when I awoke, it was too late
and I was never able to find
the song again
until one day, I did a blood-driven
internet search and there it was
the nice history of Africa

and my blood settled
coming full circle
with all the delight
a thirty-seven year old
could manage.

Excerpted from my book In the Whirlwind

Handmade Books

The other day, roaming around my internal universe, I thought to myself, why not hand make your next book? Knowing next to nothing about the art, I went straight to Google. The best tutorial I saw was on thelateafternoon.com although my book is not going to be a scrap book so the idea of using cardboard, even well-disguised cardboard, for the material wasn’t embraceable.

On to YouTube where I found the following video:

This one seems more my speed and the place for the poems that I’ve been holding onto. It’s exciting (read rejuvenating). I have several poems just sitting waiting to be part of a book whose finish date seems getting further and further away from me. I realized I may have been thinking about the whole process incorrectly. Even though I have ISBNs somewhere collecting dust, I don’t have to go that route. I can make a little book out of those orphan poems with my very own hands.

Making my own books is something I’ve always pondered even though before this recent cognition, the ponder was located in the black hole of the universe mentioned above. As such my ideas hadn’t yet traveled the distance from the source long-buried thought to today’s age of technology. When I talked about this project with my son, he took pains to inform that he had done this already in his former classroom. Well, “don’t you feel dumb now, Mom, don’t cha?”

Well, yes, I do. But my dumb self is also very excited! And so are the orphaned poems!

The Resurrecting Writers Series: Song of Lawino & Song of Ocol (Repost)

Today being #tbt, I thought I’d reblog a previous book review. I started reading this because I love poetry, yes but also as part researching verse novels and/or epics.

Tichaona Chinyelu's avatarTichaona Chinyelu

image Taking the book solely at face value, Song of Lawino & Song of Ocol are verses concerned with the disintegration of the marriage of Lawino, a rural African (Acoli) woman and Ocol, her western-educated husband. However, peeling back the cover of the words even a tiny bit reveals a woman committed to her indigenous culture versus a man who thinks that her culture needs to be removed from the face of the earth. How could two such people co-exist in the same household? How could two such differing ideologies co-exist on the same planet? According to Ocol, not at all. His song is full of imagery that calls death upon the culture Lawino praises in her song.

We will smash

The taboos

One by one,

Explode the basis

Of every superstition,

We will uproot

Every sacred tree

And demolish every ancestral

shrine.

In Ocol’s song, the thing that is so…

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Freedom Rider: Ferguson’s Reckoning for Obama

“In the week since the grand jury announcement was made, Barack Obama has done nothing but insult the intelligence of millions of black people. His grand announcement for federal funding of police body cameras should be met with loud derision. After all of the hope placed in Obama, the end result of his presidency is nothing but a proposal that every school child knows. The constitutional lawyer in chief who commanded such love and loyalty once again comes up empty when black people are in need.”

newsfortherevolution's avatarNews for the Revolution

By BAR editor and senior columnist Margaret Kimberley
December 3, 2014
Black Agenda Report

Ferguson signifies the end of the age of Obama. It is a very sad end.” – Cornel West

“For Wilson to publicly say that he would kill Brown again is too much for a grieving people to bear.”

For nearly six years black Americans have supported President Barack Obama overwhelmingly, only to be treated with disdain. He has gotten away with this disrespect because of misplaced allegiance to racial solidarity and racist attacks against him. But the day of reckoning may have finally arrived via Ferguson, Missouri.

The non-indictment of Darren Wilson for the killing of Michael Brown may well be the catalyst for a much needed change. Not only did Wilson get away with murder, but like Emmett Till’s killers sixty years ago, he brags about it to the press. A prosecutor who was clearly…

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How I Met Assata

Drowning in a reservoir of acute unconsciousness
I searched for a lifeline, a paradigm of freedom
And saw her face on a book in a window.

I made it a crusade to get the funds
Necessary to purchase the book
And after reading the first page
Something inside me said fuck being forlorn:

FIGHT!

And honor she who struggles.

©2007 Tichaona Chinyelu

Disasters, Nature and Poetry – Mona Lisa Saloy

Poetry for me has been like early biology lessons of the salamander.  We’ve heard much lately about stem-cell research that may enable regeneration of human tissue. Such miracles have occurred in nature since the very beginning in the salamander. Salamanders, lizards, and other such creatures have the ability to regenerate limbs and other body parts. Actually, humans can as well. The very young have the ability to regrow a fingertip. Since I’m not a biologist, please do not ask me to define the process; but in de-differentiation, the cells become more like basic stem cells and can relearn what they need to regrow a fingertip. It is no wonder scientists are preoccupied with the possibilities of stem-cell research. My point here is regeneration, the human ability to start again after loss and trauma, to regrow, relearn, relive a good life. Through poetry, we don’t have to wait for scientists.

Through poetry, human beings can relive trauma, injury, catastrophe, whether it is physical, mental, or emotional, real or imagined, and reacquaint ourselves with our most inner resources, our ability to regenerate and manifest as whole again. Through poetry, we can better process our reactions to events, especially disasters, in the world, and react with a higher order of awareness. We don’t have to know what it takes to arrive at this new place, for poetry will assist us on our journey and deposit us safely, sometimes uncomfortably, in a new personal place of understanding. We can agree or disagree; we can remain in shallow waters or dive deeply. Through the experience in poetry, our inner vision is awakened.

It is through verse that we make some sense of our world. Poets are not just journalists snapping photos. Poetry weaves words to record not just what happens but what sense we can make of it, what is important for us to consider, what is good for us to keep.

 

Excerpted from Disasters, Nature and Poetry by Mona Lisa Saloy: Black Nature: Four Centuries of African American Nature Poetry

Nonsense Makes Sense

Nonsense Makes Sense

We tango sambo
Manifesting delicious
Delinquency to the tune
Of tito
Ditto machito & his afro-cubans
Plantation palpitations
Bandana fandango
Somber sambo
Santería celia
Cruz middle passage
Memorizing meringue
Sherbro sho bro
Talk that talk
Tantalize romanticize
Defecate delinquencies
Until p diddy’s umbrella
Is eunichized

Colonial colón
Original origami
Paper tigers like swans, geishas, gertrude
& virginia
Shakespeare’s sister
In a room of her own
But I’da b well damned
If that be my destiny.

Isis Osiris
Sister brother
Wife husband
Ashes spread across seven skies
And I, sis, come looking
Reunification rectification
Holy wholeness
Can’t flub it
Or fuck with it
Untouchable like beloved
Whole womb
Embraces total nut
And it’s on
Like donkey kong
Or king kong
Who ain’t got nuttin on me
Cept extended stomach
Moon round
Full and fecund
Digging the ground
For roots
Sooty black foots my only carriage
But divorce not marriage
That be how I do it do it
While you try to woo it
Only to end up rueing it
Behind some foolish shit

But that ain’t the end
As I extend into tomorrow
No sorrow
As I search the world round
For the proper noun
To give my seed

P.A.C vs my history
Sobukwe no way
Dahomey da homey
Africa to america
Da homey
Get it on, Gat it on
Get get gone
Only grass seen
Prison lawn

Don 3 of 4
1st sankara
2nd kono
And yeah, fauna
Has his name
Nowhere near lame

And I reclaim my fame
Signing my true name
I, Sis, You, Bro, San, Son
Isis Osiris and Horus
True trinity.

 

Excerpted from my book, Still Living on my Feet.

Baldwin on Palestine

Excellent understanding of Baldwin’s view of the matter.

herrnaphta's avatarMarxist Marginalia

I apologize for the rather meager fare which has been on offer here of late. A post is coming soon, I promise, on Richard Wright, communism, and the blues. Until then, here’s a passage from James Baldwin’s last novel, Just Above My Head (1978), in which he addresses the subject of terrorism.

I was traveling before the days of electronic surveillance, before the hijackers and terrorists arrived.  For the arrival of these people, the people in the seats of power have only themselves to blame.  Who, indeed, has hijacked more than England has, for example, or who is more skilled in the uses of terror than my own unhappy country?  Yes, I know: nevertheless, children, what goes around comes around, what you send out comes back to you.  A terrorist is called that only because he does not have the power of the State behind him – indeed, he has…

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