How I Met Assata

Drowning in a reservoir of acute unconsciousness
I searched for a lifeline, a paradigm of freedom
And saw her face on a book in a window.

I made it a crusade to get the funds
Necessary to purchase the book
And after reading the first page
Something inside me said fuck being forlorn:

FIGHT!

And honor she who struggles.

©2007 Tichaona Chinyelu

Disasters, Nature and Poetry – Mona Lisa Saloy

Poetry for me has been like early biology lessons of the salamander.  We’ve heard much lately about stem-cell research that may enable regeneration of human tissue. Such miracles have occurred in nature since the very beginning in the salamander. Salamanders, lizards, and other such creatures have the ability to regenerate limbs and other body parts. Actually, humans can as well. The very young have the ability to regrow a fingertip. Since I’m not a biologist, please do not ask me to define the process; but in de-differentiation, the cells become more like basic stem cells and can relearn what they need to regrow a fingertip. It is no wonder scientists are preoccupied with the possibilities of stem-cell research. My point here is regeneration, the human ability to start again after loss and trauma, to regrow, relearn, relive a good life. Through poetry, we don’t have to wait for scientists.

Through poetry, human beings can relive trauma, injury, catastrophe, whether it is physical, mental, or emotional, real or imagined, and reacquaint ourselves with our most inner resources, our ability to regenerate and manifest as whole again. Through poetry, we can better process our reactions to events, especially disasters, in the world, and react with a higher order of awareness. We don’t have to know what it takes to arrive at this new place, for poetry will assist us on our journey and deposit us safely, sometimes uncomfortably, in a new personal place of understanding. We can agree or disagree; we can remain in shallow waters or dive deeply. Through the experience in poetry, our inner vision is awakened.

It is through verse that we make some sense of our world. Poets are not just journalists snapping photos. Poetry weaves words to record not just what happens but what sense we can make of it, what is important for us to consider, what is good for us to keep.

 

Excerpted from Disasters, Nature and Poetry by Mona Lisa Saloy: Black Nature: Four Centuries of African American Nature Poetry

Nonsense Makes Sense

Nonsense Makes Sense

We tango sambo
Manifesting delicious
Delinquency to the tune
Of tito
Ditto machito & his afro-cubans
Plantation palpitations
Bandana fandango
Somber sambo
Santería celia
Cruz middle passage
Memorizing meringue
Sherbro sho bro
Talk that talk
Tantalize romanticize
Defecate delinquencies
Until p diddy’s umbrella
Is eunichized

Colonial colón
Original origami
Paper tigers like swans, geishas, gertrude
& virginia
Shakespeare’s sister
In a room of her own
But I’da b well damned
If that be my destiny.

Isis Osiris
Sister brother
Wife husband
Ashes spread across seven skies
And I, sis, come looking
Reunification rectification
Holy wholeness
Can’t flub it
Or fuck with it
Untouchable like beloved
Whole womb
Embraces total nut
And it’s on
Like donkey kong
Or king kong
Who ain’t got nuttin on me
Cept extended stomach
Moon round
Full and fecund
Digging the ground
For roots
Sooty black foots my only carriage
But divorce not marriage
That be how I do it do it
While you try to woo it
Only to end up rueing it
Behind some foolish shit

But that ain’t the end
As I extend into tomorrow
No sorrow
As I search the world round
For the proper noun
To give my seed

P.A.C vs my history
Sobukwe no way
Dahomey da homey
Africa to america
Da homey
Get it on, Gat it on
Get get gone
Only grass seen
Prison lawn

Don 3 of 4
1st sankara
2nd kono
And yeah, fauna
Has his name
Nowhere near lame

And I reclaim my fame
Signing my true name
I, Sis, You, Bro, San, Son
Isis Osiris and Horus
True trinity.

 

Excerpted from my book, Still Living on my Feet.

Baldwin on Palestine

Excellent understanding of Baldwin’s view of the matter.

herrnaphta's avatarMarxist Marginalia

I apologize for the rather meager fare which has been on offer here of late. A post is coming soon, I promise, on Richard Wright, communism, and the blues. Until then, here’s a passage from James Baldwin’s last novel, Just Above My Head (1978), in which he addresses the subject of terrorism.

I was traveling before the days of electronic surveillance, before the hijackers and terrorists arrived.  For the arrival of these people, the people in the seats of power have only themselves to blame.  Who, indeed, has hijacked more than England has, for example, or who is more skilled in the uses of terror than my own unhappy country?  Yes, I know: nevertheless, children, what goes around comes around, what you send out comes back to you.  A terrorist is called that only because he does not have the power of the State behind him – indeed, he has…

View original post 904 more words

The Problem With BeyHive Bottom Bitch Feminism

The metaphor used in this post, as “unfortunate” as it may be, is right on time. Just as our foremothers and forefathers didn’t struggle for Civil Rights so that one day we could have a black drone-happy president, the feminists amongst them didn’t struggle so that we could uncritically embrace entertainers of the Beyonce variety as THE definition of what it means to be a feminist. The most stirring, relevant aspect of those past feminists always had a strong anti-capitalist bent because they recognized its impact on what it means to be a woman. So I say thank you to the writer(s) and keep the faith.

realcoloredgirls's avatarReal Colored Girls

Beyhive Booty

In Pimp Theory, a “bottom bitch” is the one in the whores’ hierarchy who rides hardest for her man. She’s the rock of every hustler economy and her primary occupation is keeping other ho’s in check and gettin’ that money. She isn’t trying to elevate the status of her sister ho’s. She isn’t looking to transform pimp culture. The bottom bitch is a token who is allowed symbolic power, which she uses to discipline, advocate for, represent and advance the domain of the stable.  In pop culture, she represents the trope of the chosen black female, loyal to her man and complicit in her own commodification.

In hip hop vernacular she has emerged as the “Boss Bitch” or “Bawse”, titles you’ll hear used liberally across urban/pop discourses – from the streets to rappers to the hip hop, basketball and ATL housewives.  What she represents is an appearance of power within…

View original post 808 more words